from life drawing. boy oh boy, is there a big back log of paper to be scanned in (i'm a nurotic nutbag and won't be happy till everything's backed up to the nines.)

this exercise was CRAZY. the model went through a string of minuet poses as they got undressed. man. that shit was intense. kinda left you feeling like someone had been playing croquet with your skull and a sledge hammer. pretty cool though, especially in terms of trying to get guesters down quick and thinking about how the body pulls shapes and oh my stars and garters, this is dissolving into typo-tastic nonsense. HOORRAY FOR SLEEP DEPRAVATION! I THINK THIS CALLS FOR SOME HAPPY-CLAPPY TUNEAGE!!

and yet more from the cull. don't worry, we're on page 17/22 so there shouldn't be too many more of these.

bbbbbbbbut probably not given my knack for fudging things up. was kinda sad this was getting cut... till i took another look at the left third. seriously. wtf, mate? way to tweak rob's pose into something totally unfeasible/goofy because you didn't leave enough space *slow clap*

in my defense though, most of the rough pencils for issue two were done in a nigh pitch black room in edinburgh on top of far, far, FAR too little sleep.

... don't ask.

but we should all be riding dolphins.

this is old. like methuselah old. but somehow pretty decent. can't quite get my head around that conundrum. i think this was done waaaay back when i was applying for foundation. one of the universities thought it would be super fun to set you some totally bogus project before considering you. i don't think i even went to the interview for that place but hey, we got girder man out of it so it wasn't all for naught.

oh man. makes me want to do some super intense tonal stuff like nobody's business. i'm doing layouts at the moment and they couldn't be further from that. then again, just got to the point in the script where shit gets real and holy crap, is drawing stick figure robots blasting off a riot.


BLAH BLAH BLAH.